News & press

On this day in April...

Important events from The Redfern Gallery archives
April 2, 2020

This new, regular feature will provide a summary of important historical events that relate to the Redfern and its artists.

 

1 April 1959   The first retrospective of Christopher Wood since 1938 opens at the Redfern.
 
4 April 1957   Metavisual Tachiste Abstract opens at the Redfern. This seminal show comprised of paintings by 30 of the leading abstract painters in Britain, such as Gillian Ayres, Paul Feiler, Terry Frost, Adrian Heath, Patrick Heron, Roger Hilton, Peter Lanyon and Victor Pasmore. The memorable title was coined by Heron's wife, Delia. A number of important paintings are shown here for the first time, including Ayres' Distillation, one of her first loosely painted, tachiste canvases that she made specifically for Metavisual ..., and which was selected for the Paris Bienale a year later. Also on display is Hilton's January 1956, one of the first paintings he made while in St Ives, and purchased by the Tate in 1958.

8 April 1987   Margaret Mellis retrospective begins at the Redfern. Her friend Patrick Heron writes the foreword for the exhibition catalogue. Recent driftwood reliefs are sold to the Arts Council as well as the Tate.
 
11 April 1981   First day of the UK touring exhibition of the Brotherhood of Ruralists, starting at the Arnolfini Gallery, Bristol. Among the works on display is The Badminton Game, which is later purchased by the Tate. Completed in 1972, this remains one of David Inshaw's most popular paintings. Having been on view for many years at Tate Britain, it is currently on loan to the Hong Kong Museum of Art.

12 April 1940   The Montague Shearman collection of English and French paintings is displayed at the Redfern. This prominent private collection includes paintings for sale by Lautrec, Matisse, Renoir and Wadsworth.

16 April 1951   William Gear becomes the subject of public outrage, when Arts Council judges award Autumn Landscape a £500 prize, as part of the Festival of Britain exhibition. The Daily Mail runs the story as front-page news, and a large reproduction appears in the Daily Telegraph. The press and public (as well as artists, including Laura Knight) object to the abstract nature of the painting, as well as the sum of government money it received. The letter-pages of the newspapers are filled for the next month with angry responses, and the painting is even discussed in Parliament, on 3 May. It provokes such an outcry that Autumn Landscape is the only picture to have won a prize at the Festival of Britain that has not entered a public collection by the end of the year.
 
17 April 1983   The final day of Francis Davison's retrospective at the Hayward Gallery. A teenage Damien Hirst visited the show, and was "blown away" by the collages. Soon after, he befriended Davison's widow Margaret Mellis, who acts a mentor to the young artist during the 1980s.
 
28 April 1978   Patrick Procktor is included in A Treasury of Modern Drawing: The Joan and Lester Avnet Collection, which opens at the Museum of Modern Art, New York. His watercolour of Cecil Beaton, first shown at the Redfern in 1969, is part of the exhibition. The Avnets amassed a superb collection of twentieth-century drawings, including Braque, Chagall, Matisse, Picasso and Schiele, and Procktor was one of a small number of contemporary British artists in their collection.
 
30 April 1942   First solo show for Eileen Agar at the Redfern Gallery. The exhibition is documented by her friend Lee Miller, with the resulting photographs published in British Vogue