Then and Now
A Group ExhibitionWe are excited to announce our inaugural exhibition on Pall Mall after 90 years on Cork Street.
Then and Now is a group exhibition including all Redfern artists – new and old. It reflects on the Redfern’s enduring commitment to supporting artists at different stages of their careers, from early exhibitions to long-term collaborations and to fostering artistic development over time. An ethos that we continue to uphold today.
Conceived around the themes of continuity, consistency, and change, the exhibition brings together works by modern and contemporary artists, tracing the development of their practices over time. Early works are brought into dialogue with more recent ones, revealing a diversity of approaches in material, form, and subject, while remaining united by a strong and distinctive sense of individual artistic identity.
This dialogue extends across the exhibition. Paul Feiler’s progression from landscape-based abstraction to his exploration of ‘elusive space’; Margaret Mellis’ shift from Constructivist reliefs to driftwood sculpture; John Carter’s movement across abstraction, Minimalism, and sculptural wall objects; and David Tindle’s transition from heavily worked material surfaces to the delicate precision of egg tempera – each offers a distinct trajectory shaped over decades.
At the heart of Then and Now are the relationships that have defined The Redfern. Artists such as Patrick Procktor, whose first solo exhibition with the gallery in 1963 marked the beginning of a long and influential association, exemplify a practice that evolves while maintaining a distinctive sensibility.
As The Redfern opens its doors on Pall Mall, the exhibition situates the gallery between past and present, between Cork Street and St James’s, and between the histories it carries and those that continue to unfold. This group exhibition will feature work from all our Redfern artists, new and old, among many more.
We invite you to join us to celebrate Then and Now, a reflection on where we have been, and where we are going. A selection of featured artworks can be seen in our preview below.
Works
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Eileen Agar RAInvisible Messages, 1972Acrylic on canvas45.5 x 60 cm -
Michael AyrtonSleeper on the Shore, 1959Mixed media on paper34 x 49 cmSigned and dated lower right -
Elizabeth ButterworthWing of Guilding's Amazon I, 2018Gouache on paper37 x 39 cmSigned verso
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Elizabeth ButterworthWing of Guilding's Amazon II, 2018Gouache on paper38 x 40 cmSigned verso -
John Carter RAStele, Identical Shapes, 2023/4Acrylic on plywood98.5 x 32.8 x 3.8 cm -
John Carter RAOn The Road, 1964Mixed media and collage on paper42 x 64 cmSigned and dated lower left; inscribed lower right
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John Carter RARed Column: Study, 2023/4Acrylic on plywood70 x 35 x 4.2 cm -
John Carter RARed Edge I, 2024Acrylic on plywood26 x 26 x 3.5 cm -
Francis DavisonF 37 (Three squares, brown arc), c.1976-78Collage63.5 × 62 cm
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Francis DavisonG 61 (Bright yellow and blue), c.1978-83Collage -
Robyn DennyMetavisual Tachiste Abstract - Painting in England Today, 1957Mixed media on paper73.5 x 49.2 cm -
Norman DilworthA Changeable Sculpture, 1973Painted wood30.5 x 30.5 x 30.5 cm
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Norman Dilworth45º 7, 2008Wood stained black39 x 27 x 16 cm -
Norman DilworthBalance, 2014Corten steel94 x 68 x 40 cm -
Paul FeilerEvening Harbour, Low Tide, 1953Oil on board50 x 92 cmSigned and dated lower right; titled verso
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Paul FeilerGandria, Black and Lemon, 1956Oil on canvas61 x 40.5 cm -
Sir Terry Frost RAVariations, 1984Collage, acrylic, crayon and ink on paper29.5 x 20.5 cmSigned and dated lower right -
William Gear RALandscape, Blue Element, 1959Oil on canvas128 x 80 cm
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William Gear RAPeinture, 1950Oil on canvas65 x 54 cm -
William Gear RATrunks and Stakes, 1952Oil on canvas72 x 102 cmSigned and dated lower centre; signed, dated and titled verso -
William Gear RATrunks, Nocturne, 1953Oil on canvas152.5 x 91.5 cmSigned and dated lower right; titled verso
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Stanley William HayterHex, 1981Engraving and roulette50 x 49 cm (image)From the edition of 50 impressionsSigned, dated, titled and numbered -
Roger HiltonUntitled, 1973Mixed media on paper27 x 42 cmSigned lower centre; initialled and dated right centre -
Florence HutchingsAfternoon Tea , 2020Oil paint and collage on canvas110 x 140 cm
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David InshawBonfire and Gate III, 1992-95Oil on canvas91.4 x 91.4 cm -
Derek JarmanTray from 'Savage Messiah' , c. 1972Oil on board75 x 51 cm -
Paul JenkinsLotus, 1957Oil and enamel on canvas147 x 89 cmSigned, dated and titled verso
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Paul JenkinsPhenomena Orbital Station, 1982Acrylic on canvas152.4 x 127 cm -
Paul JenkinsPhenomena Shield to See by, 1987-96Acrylic on canvas147.1 x 103.9 cm -
Allen Jones RAUntitled, 1962Pencil on paper43 x 36 cmSigned and dated lower right
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George KennethsonFemale FigureWhite Purbeck65 x 25 x 23 cm -
George KennethsonFemale figure, 1959Clipsham78.7 x 30.5 x 17.8 cm -
George KennethsonSeated CoupleClipsham70 x 33 x 22 cm
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Catherine KurtzMemento Mori II, 2014Oil on board17.2 x 21.2cmSigned, dated and titled verso -
Catherine KurtzTorn II, 2013Oil on board21.5 x 17cm -
Catherine KurtzMemento Mori XII, 2019Oil on board17.3 x 21.4cm
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Mark LancasterBoondocks, 1965Acrylic on canvas121.9 x 182.9 cm -
Ffiona LewisEvening Blue Lace, 2025Oil on canvas (diptych)152 x 152 cm -
Alexander MackenziePontshallow, Penwith, 1989Oil on board12.5 x 45 cmSigned, dated and titled verso
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Alexander MackenzieRock Form, North Cliffs, Cornwall, c. 1954Oil on canvas laid on board12 x 39 cmSigned, titled and inscribed verso -
Margaret MellisBottles, Round Table and Sea, 1952Oil on canvas76.2 x 50.8 cm -
Margaret MellisDark Fish, 1953Oil on canvas51 x 65 cmSigned, dated and titled verso
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Margaret MellisFisherman, 1990-91Driftwood construction124 x 80 cmSigned, dated and titled verso -
Margaret MellisGreen Heart, 2002Driftwood construction53 x 39cm -
Margaret MellisPassing, 1990Driftwood construction66 x 65cm
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John MintonNisida Island and the Gulf of Naples, 1956Ink on paper45 x 64 cmSigned and dated lower left -
Brendan NeilandOctopetala, 2024Acrylic on canvas100 x 120 cm -
David OxtobyThe King, 1977Etching and aquatint87.7 x 27.8 cm
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David OxtobyElt on Elton, 1980Mixed media on card86.5 x 66.3 cmSigned, dated and titled verso -
John PiperCarsluith Castle, Solway Firth, 1975-76Ink, wash and watercolour on paper56.5 x 38 cm -
Cyril Edward PowerSkaters, 1932Linocut19.8 x 31.6 cm
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Cyril Edward PowerThe Concerto, 1935Linocut32 x 30 cmFrom the edition of 60 impressionsSigned, numbered, and titled upper left -
Patrick ProcktorDenis, Ste Estèphe, 1986Watercolour31 x 23 cm -
Patrick Procktor RAKôm Ombo, Dawn, 1984Watercolour on paper45 x 60 cmSigned and dated lower right
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Patrick Procktor RAMajorca, c.1990Watercolour on paper15 x 21 cmSigned in pencil, titled verso -
Patrick ProcktorStill Life with Cat, 1989Watercolour60.8 x 46 cm -
Bridget Riley CBEAbout Lilac, 2007Screenprint32.4 x 64.7 cm
49 x 80 cm (sheet)From the edition of 75 impressionsSigned and dated lower right; titled and numbered lower left
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Adrian RyanSpring Flowers, 1960sOil on canvas63 x 47 cm -
Peter SedgleyPhase 3, 1965Acrylic on canvas laid on board58.5 cm diameterSigned, dated and titled on reverse -
Peter SedgleyConstellation, 1966PVA on canvas51 x 51 cmSigned, dated and titled verso
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Peter SedgleyEnigma, 1980Acrylic on linen120 x 120 cm -
Peter SedgleySpring Fever, c.1980Acrylic on linen120 x 120 cmTitled on edge -
Peter SedgleyCryptic, 1982Acrylic on linen120 x 120 cmSigned, dated and titled on reverse
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Pierre SkiraVita Infinita 11A, 2018Pastel on board97 x 97 cm -
Pierre SkiraVita Infinita 12A, 2018Pastel on board97 x 97 cm -
Telfer StokesContiguous, 2022Welded steel74 x 66 x 12 cm
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Telfer StokesColloquial , 2022Welded steel74 x 66 x 12 cm -
David Tindle RAPaddington, 1961Oil and sand on canvas55.7 x 70.8 cmSigned, dated and titled verso -
David Tindle RAPortrait of a Chair, 1980Egg tempera on board40 x 56.5 cm
