Cyril Edward Power
Printed from four blocks (raw sienna; venetian red; permanent blue and Chinese blue) on cream fibrous oriental laid
Exhibitions
Colour Prints, The Redfern Gallery, London, 1935 (cat. no. 21)
Exhibition of Lino-Cuts from the Redfern Gallery, London, Baillieu Allard's Gallery, Melbourne, 1937 (cat. no. 51)
Rhythms of Modern Life: British Prints from the Machine Age - 1914-1939, Museum of Fine Arts, Boston, 2007
Rhythms of Modern Life: British Prints from the Machine Age -1914-1939, The Metropolitan Museum of Art, New York, 2008
Rhythms of Modern Life: British Prints from the Machine Age -1914-1939, The Wolfsonian-Florida International University, Miami Beach, 2008
Literature
Stephen Coppel, Linocuts of the Machine Age - Claude Flight and the Grosvenor School, Scolar Press and the National Gallery of Australia, 1995 (SA 29)
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Cyril Edward PowerThe Concerto, 1935Linocut32 x 30 cmFrom the edition of 60 impressionsSigned, numbered, and titled upper left -
Cyril Edward PowerSpeedway, 1934Linocut33 x 23 cmFrom the edition of 60 impressionsSigned, numbered, and titled lower right -
Cyril Edward PowerAcrobats, 1933Linocut25.4 x 23.2 cmThis is a proof, in a unique colour combination, aside the edition of 60 impressionsSigned, inscribed, and titled lower centre -
Cyril Edward PowerThe High Swing, 1933Linocut30 x 15.6 cmA colour proof in red - aside from the standard edition of 60 impressionsSigned and titled lower left -
Cyril Edward PowerSpeed Trial, 1932 (c.)Linocut20 x 38 cmSigned, titled and inscribed 'EP No. 1 1st state' -
Cyril Edward PowerThe Tube Station, 1932Linocut26 x 30 cmFrom the edition of 60 impressionsSigned, titled and numbered lower left -
Cyril Edward PowerEn Grande Tenue (The Vestibule), 1930Linocut17.4 x 17.6 cmSigned and titled; colour notes in image lower left -
Cyril Edward PowerThe Runners, 1930Linocut17.3 x 34.6 cmFrom the edition of 50 impressionsSigned, titled and numbered lower left
