| Paul Feiler
CONNECTIONS
"Feiler wants to lead the onlooker beyond the stages of recognition and seeing to that of looking, so that by looking - and feeling - each individual should make new, personal connections with the world around."
" .. The sequence of illustrations reinforces the identity of the artist throughout the different stages of his career and reveals some of the themes to which he is constantly returning. Chief among these is an acute awareness of what is hidden, whether in the contrasts of light and dark as shadows fall on trees or on columns, or in the recesses of a tunnel or a shrine .. "
Michael Raeburn, 2002 (from Paul Feiler CONNECTIONS, The Redfern Gallery, London, and Le Cadre Gallery, Hong Kong with Cacklegoose Press, 2002)
 Postcard of Grindelwald |  Pisa Photograph by Paul Feiler, 1947 |  Venice Photograph by Paul Feiler, 1947 |  Cape Cornwall Photograph by Paul Feiler, 1949 |  Photograph in Picture Post, 1952 |  Postcard of Mycenae |  Paul Feiler outside St Paul's School, Penzance Photograph by Andrew Lanyon, 1964 |  Paul Feiler's Studio Photograph by Bob Berry, 1995 |  Sibyl's Cave at Cuma, Naples Photograph by Paul Feiler, 1997 |  Sibyl's Cave at Cuma, Naples Photograph by Paul Feiler, 1997 |  Rheims Cathedral Photograph by Paul Feiler, 1998 |  Green Trees in Germany Photograph by Paul Feiler, 2000 |  The studio reflected in a searchlight mirror Photographed by Paul Feiler |  Shed at Kerris Photograph by Paul Feiler, 2001 |  Window at Kerris Photograph by Paul Feiler, 2001 |
| Biography | | 1918 | Born, Frankfurt am Main | | 1934 | Came to England - educated Cranford School | | 1937-40 | The Slade | | 1941-46 | The Art Master at the Combined Colleges of Eastbourne and Radley | | 1946-75 | Taught at West of England College of Art - became head of painting in 1960 | | 1949 | First visited Cornwall | | 1950 | Work became more abstract. | | 1953 | Bought chapel at Kerris, Paul, near Penzance where he now lives with his wife, the painter, Catharine Armitage. | | 1975 | Takes over Bryan Winter's studio near Paul, a barn converted for the painter Stanhope Forbes in the mid-nineteenth century |
| Solo Exhibitions | | 1953/54/56/57 | Redfern Gallery, London | | 1954 | Obelisk Gallery, Washington DC | | 1958 | Obelisk Gallery, Washington DC | | 1959 | Redfern Gallery, London | | 1961 | Arnolfini, Bristol | | 1962 | Grosvenor Gallery, London | | 1965 | Grosvenor Gallery, London | | Victoria Art Gallery, Bath | | 1966 | Balliol College JCR, Oxford | | Clare College JCR, Cambridge | | 1969 | Richard Demarco Gallery, Edinburgh | | Sheviock Gallery, Plymouth | | 1972 | Archer Gallery, London | | 1975 | Goodman Gallery, Johannesburg | | St Clements Hall, Mousehole | | 1977 | Wills Lane Gallery, St Ives | | 1979 | Meredith College, NC, USA | | Duke University, NC, USA | | 1981-82 | Crawford Centre for the Arts, University of St Andrews and toured to: Alpirsbacher Galerie, Alpirsbach EKG Kunst, Stuttgart, John Hansard Gallery, University of Southampton | | Warwick Arts Trust, London: introduction by John Steer | | 1982 | Fayetteville Museum of Art, North Carolina, USA: introduction by Phyllis A McLeod | | 1993 | Redfern Gallery, London: introduction by John Steer | | 1994 | Redfern Gallery, London | | 1995/96 | Retrospective Exhibition, Tate Gallery, St Ives | | 1996 | Redfern Gallery, London | | 1998 | The Rotunda, Hong Kong Land, Hong Kong | | 1999 | Redfern Gallery, London | | 2002 | "Connections", Redfern Gallery, London and Le Cadre, Hong Kong | | Redfern Gallery, London | | 2003 | Works on Paper, Redfern Gallery, London | | 2005 | Janicon, Redfern Gallery, London | | The Near and The Far, Tate Gallery, St Ives | | Redfern Gallery, London | | Tate St. Ives | | 2007 | Redfern Gallery, London |
| Group Exhibitions | | 1949 | Young Contemporaries, ACGB (Western Region exhibition at Bristol City Art Gallery | | 1950 | Bristol City Art Gallery, (With Bryan Wynter, R W Treffgarne, Adrian Ryan, Patrick Heron) | | 1952 | Bryanston School, Dorset (with Bryan Wynter, William Scott, Peter Lanyon, Patrick Heron) | | The Mirror and the Square, AIA New Burlington Galleries | | 1953 | The Unknown Political Prisoner, ICA West Country Landscapes ACGB (Western Region touring exhibition, also shown in Germany) | | Coronation Exhibition, The Redfern Gallery, London | | Figures in their Setting, Tate Gallery | | British Contemporary Paintings, Arts Council Gallery, London | | 1954 | Nine English Painters, Dublin | | The Octagon, Bath (with Wynter, Potworowski and Lanyon) | | The Seasons, Tate Gallery | | 1956 | Statements - a review of British Abstract art in 1956, ICA, London, curated by Lawrence Alloway | | Aspects of contemporary English painting, Parsons Gallery, London | | 1957 | British Abstract Painting, Paris, Milan, Montreal Melbourne, Sydney | | Metavisual, tachiste and abstract painting in England today, Redfern Gallery, London | | Dimensions: British abstract art 1948-1957, O'Hana Gallery, London (curated by Lawrence Alloway) | | 1958 | British Abstract Painting, Redfern Gallery, London exhibition toured to: Auckland, Liège, Johannesburg, Cape Town | | 1959 | Architect's Choice ICA, London | | 50 Years of British Painting, CAS exhibition organised by Denis Matthews and shown through the 'Friends of China' in Peking and Shanghai | | 1960-61 | Contemporary British Landscapes, ACGB touring exhibition | | 1961 | John Moore's, Liverpool | | British Painting in the '60's, Tate Gallery | | Arnolfini, Bristol | | 1964 | Lanyon, Hilton, Feiler, Davie, Arnolfini Gallery, Bristol | | 1966 | British Painting 1950-57 ACGB touring exhibition | | 1972 | Two (works each) by seven (artists) Archer Gallery, London | | 1977 | Cornwall 1945-55, New Art Centre, London | | 1980 | Art in the making, Brewhouse Art Centre, Bristol | | 1985 | St Ives 1939-64: twenty-five years of painting sculpture and pottery, Tate Gallery, London (curated by David Brown, introduction by David Lewis) | | 1989 | Post-war British abstract art, Austin/Desmond Fine Art, London (introduction by Margaret Garlake) | | 1999 | 'Orbis - Towards and Beyond' - A historical exhibition of works done before, during and after the Moon Landing in 1969, Redfern Gallery, London | | 2000 | ART 2000 - Redfern Gallery stand devoted entirely to the work of Paul Feiler |
| Collections | | UNITED KINGDOM | | British Council | | Worcester City Museum | | Aberdeen Art Gallery and Museums | | Victoria Art Gallery, Bath | | Ulster Museum, Belfast | | Birmingham Museum and Art Gallery | | Art Gallery, Bolton | | Clare College, Cambridge | | Kettle's Yard, Cambridge | | Carlisle Museum and Art Gallery | | Bishops Otter College, Chichester | | Cornwall County Education Committee | | Doncaster Museum and Art Gallery | | Glasgow Art Gallery and Museum | | Leeds City Art Gallery | | Leicestershire County Education Committee | | Liverpool University | | Arts Council of Great Britain, London | | Contemporary Art Society, London | | Government Art Collection, London | | St Thomas' Hospital, London | | Tate Gallery, London | | Victoria and Albert Museum, London | | London University | | Altnagelvin Hospital, Londonderry | | Manchester City Art Gallery | | Whitworth Art Gallery, Manchester | | Laing Art Gallery, Newcastle-upon-Tyne | | | | AUSTRIA | | Albertina, Vienna | | | | CANADA | | Hamilton Art Gallery | | Toronto Art Gallery | | | | FRANCE | | Bibliothèque Nationale, Paris | | | | NEW ZEALAND | | National Gallery, Wellington | | Dunedin Art Gallery | | | | USA | | Meredith College, Raleigh NC | | The Principia, St Louis MO | | Pennsylvania State University, State College PA | | Toledo OH Museum of Art | | Gallery of Modern Art (Tremayne Gift), Washington DC | | Phillips Memorial Gallery, Washington DC |
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